- Open Access
Trees and networks before and after Darwin
© Ragan; licensee BioMed Central Ltd. 2009
- Received: 24 October 2009
- Accepted: 16 November 2009
- Published: 16 November 2009
It is well-known that Charles Darwin sketched abstract trees of relationship in his 1837 notebook, and depicted a tree in the Origin of Species (1859). Here I attempt to place Darwin's trees in historical context. By the mid-Eighteenth century the Great Chain of Being was increasingly seen to be an inadequate description of order in nature, and by about 1780 it had been largely abandoned without a satisfactory alternative having been agreed upon. In 1750 Donati described aquatic and terrestrial organisms as forming a network, and a few years later Buffon depicted a network of genealogical relationships among breeds of dogs. In 1764 Bonnet asked whether the Chain might actually branch at certain points, and in 1766 Pallas proposed that the gradations among organisms resemble a tree with a compound trunk, perhaps not unlike the tree of animal life later depicted by Eichwald. Other trees were presented by Augier in 1801 and by Lamarck in 1809 and 1815, the latter two assuming a transmutation of species over time. Elaborate networks of affinities among plants and among animals were depicted in the late Eighteenth and very early Nineteenth centuries. In the two decades immediately prior to 1837, so-called affinities and/or analogies among organisms were represented by diverse geometric figures. Series of plant and animal fossils in successive geological strata were represented as trees in a popular textbook from 1840, while in 1858 Bronn presented a system of animals, as evidenced by the fossil record, in a form of a tree. Darwin's 1859 tree and its subsequent elaborations by Haeckel came to be accepted in many but not all areas of biological sciences, while network diagrams were used in others. Beginning in the early 1960s trees were inferred from protein and nucleic acid sequences, but networks were re-introduced in the mid-1990s to represent lateral genetic transfer, increasingly regarded as a fundamental mode of evolution at least for bacteria and archaea. In historical context, then, the Network of Life preceded the Tree of Life and might again supersede it.
This article was reviewed by Eric Bapteste, Patrick Forterre and Dan Graur.
- Late Eighteenth
- Network Diagram
- Genealogical Tree
- Reviewer Comment
(N)ature rises up by connections, little by little and without leaps, as though it proceeds by an unbroken web, it proceeds in a leisurely and placid uninterrupted course. There is no gap, no break, no dispersion of forms: they have, in turn, been connected, ring within ring. That very golden chain is universal in its embrace. - Juan Eusebio Nieremberg, 1635 [, p.29]
From very early in the Middle Eastern and European religious and intellectual traditions, chains, cords, ladders and stairways served as metaphors for order in the world, or between earth and heaven [2–6]. The image of a tree sometimes served in the same metaphorical sense [, pp.319-329; , p.22]. A linear order in nature was compatible, for example, with the hierarchical arrangement of creation implied by emanationist cosmology, correspondences between spiritual and earthly bodies, and the literal or figurative ascent of the soul or mind toward God. Even the incipient change, beginning in the Twelfth century, from a God-centric to a man-centric hierarchy provided no cause to question the underlying assumption of a linear arrangement or ordering in nature.
...proceeding little by little from things lifeless to animal life in such a way that it is impossible to determine the exact line of demarcation, nor on which side thereof an intermediate form should lie. Thus, next after lifeless things in the upward scale comes the plant, and of plants one will differ from another as to its amount of apparent vitality; and, in a word, the whole genus of plants, whilst it is devoid of life as compared with an animal, is endowed with life as compared with other corporeal entities. Indeed, as we have just remarked, there is observed in plants a continuous scale of ascent toward the animal [, 588b:4).
Beginning in the Sixteenth century, botanical and zoological treatises were sometimes arranged to present organisms as forming a more-or-less ascending (or descending) series [10–13]. A particularly fine-grained linear arrangement appeared in the 1788 Flore Françoise by Jean-Baptiste Lamarck , although Peter Stevens hints that this arrangement per se may be due more to the Abbé René-Just de Haüy than to Lamarck himself [, 79f145]. But already by that point in the late Eighteenth century, the Great Chain was widely seen as inadequate in describing biological diversity. This crisis was brought about by four related developments, which I briefly present in turn.
First (chronologically) was Richard Bradley's argument that degree of perfection must not be argued from mere Platonic form or essence, but arrived at instead by analysis of "figure or parts" [, p.18]. His wonderful Philosophical Account of the Works of Nature (1721) arranges minerals, plants and animals in an ascending, if idiosyncratic, scale of nature, with innumerable descriptions, comparisons and analogies relating to their exterior body parts, internal circulation of fluids, features of reproduction, rates of growth and development, metamorphosis, activity, strength, "spirit" [, p.89] and "uses". Bradley was comfortable with the idea of perfection (e.g. of body parts), but observed multiple, non-uniform progressions, with individual species being imperfect in some regards and more-perfect in others. Indeed in respect of the linear arrangement of animals, Bradley famously concluded:
"I suppose it may be wonder'd at, that hitherto I have not mentioned Mankind, who is so remarkable a Creature, and Lord of all the rest; I confess, was I to have placed him where the Parts of his Body would most agree with those of the created Bodies mention'd in this Treatise, I must have set him in the middle of this Chapter; but I suppose my Reader will excuse me, if I shew him so much regard, that I rather speak of him in the summing up of my Scale, than let him be encompass'd with wild Beasts." [, p.117]
Second, the vast expansion in knowledge of animal, plant and microbial diversity in the Seventeenth and Eighteenth centuries [17–22] did not yield a more-continuous Chain; critics from Voltaire [, pp.58-60] to Dr Johnson  (and later, Eldridge & Gould ) could point to innumerable discontinuities, not to mention the fundamental paradox of continuity among discrete entities. Churchmen and philosophers had long grappled with the concept of plenitude (complete realisation of possibility) given the obvious imperfection of the world , with Peter Lombard arguing that we cannot deny to God the fullest scope of action in creation, i.e. he could have created a more-complete, more-perfect universe had he so willed . But had the voyages of discovery been set up as an experimental test of morphological continuity across nature, the null hypothesis (discontinuity) would not have been rejected.
Third, and far more seriously, certain high-profile discoveries could not be fit into any reasonable linear arrangement of nature. Debate raged through the first half of the Eighteenth century (and beyond) on whether coral polyps were animal, vegetable, mineral, or some combination thereof [16, 27–30]. Placing the green Hydra  among the mosses, for instance, would remove it far from the self-motile worms or insects. Likewise it seemed impossible to decide whether "the little Proteus" Volvox [, III pp.621-624] should be placed at the base of the plant scale, or at the base of the animals. In his beautifully written Contemplation de la Nature (1764-65), sometimes considered the culmination of the case for a Great Chain of Being, Charles Bonnet felt compelled to ask whether insects and shellfish need to be assigned to "lateral and parallel branches off this great Trunk" [, III p.xx].
Finally, it was becoming increasingly apparent that the continuity, if any, between plants and animals did not join the most-perfect plants (for Bonnet, "sensitive" plants such as Mimosa) with the least-perfect animals such as jellyfish. According to Linnaeus in aphorism 153 of Philosophia botanica:
Nature herself associates and joins Minerals and Plants and Animals; but in so doing it does not connect the most perfect Plants with Animals that are said to be the most imperfect, but imperfect Animals and imperfect Plants are combined.... [, §153]
I consider it unlikely that Linnaeus intended to argue that the combining (combinat) of imperfect animals and imperfect plants was more-integral than the associating and joining (sociat et conjugit) of minerals, plants and animals, and not only because sociat is equally well translated unites. Others later did draw this distinction: Flittner , for example, claimed that zoophytes, corals, sponges and seaweeds shared both plant and animal natures; and dual or alternating identities were frequently invoked e.g. in descriptions of coral polyps, alternating life-history stages of algae, and unicellular organisms such as diatoms [36, 37]. In aphorism 153 Linnaeus probably did, however, intend to contrast "imperfect" with "maximally imperfect": nature joined the former.
Of course, linking the most-simple plants with the most-simple animals would yield not a linear scale or chain, but rather a dichotomy, as in the letter V; and if plants and animals were contiguous at multiple points (not only the maximally imperfect), order in nature would more resemble the letter Y. The Great Chain was in deep crisis.
Although at first Linnaeus accepted that nature is ordered in a linear scale , by 1750 or 1751 he realized that even the plants could not be arranged in a simple unitary continuum. This casts an interesting light on aphorism 77 of his Philosophia Botanica [, §77], the three well-known parts of which might not, on initial reading, seem to be closely related:
The fragments of the natural method are to be diligently sought out. This is the first and last desideratum in botanical study. Nature does not make leaps. All plants show affinities on either side, like territories in a geographical map.
In the first two sentences, Linnaeus acknowledges that his own system of nature corresponds to the natural method only in small disjoint parts (fragments). Nature is, however, without gaps (Linnaeus takes this quotation verbatim from Ray ) and among the plants one family can be contiguous to one, two, or more than two others - unlike in a chain, where each family must have exactly two neighbors (even the least-perfect plants would be joined below to the minerals, as the most-perfect plants would be joined above to the animals). His map analogy seems not to have been taken literally at first, as no Map of Plants appears to have been rendered until Paul Giseke did so in 1792, fourteen years after Linnaeus's death ; but thereafter the cartographic enterprise persisted until 1859 and beyond, with Alphonse de Candolle developing rules for distributing plant taxa on a two-dimensional "map" . Sachs [, p.137], Stevens , O'Hara  and Ragan  mention other early maps of nature.
The concept affinity bears further comment. In the late Eighteenth and very early Nineteenth centuries, affinities were regularities of resemblance or arrangement among characteristic or functionally important body parts (e.g. those constituting skeletal or organ systems) that indicated an attraction or closeness between the organisms or taxa in which they were found. Some authorities, observing the investigations of Lavoisier on describing the "affinities" that determine how chemical substances attract each other and form compounds of fixed stoichiometry, sought or imagined corresponding affinities in the biological realm that could likewise reveal the true order in nature, or natural laws [, pp.38-39 and chapter 8;, I pp.535-540]. These affinities could be "morphological, structural, and physiological" [, IV p.81]. Later, affinity came to be reserved for taxa, whereas the corresponding relation among characters would be called homology [, p.258]. Innate affinity was properly contrasted with analogy, which was external, superficial or remote.
Much more interestingly, nearly a century before Darwin's Origin of Species, Peter Simon Pallas proposed in Elenchus Zoophytorum  that the gradation among organisms might best be described as a branching tree:
"...various authors desire a certain pleasing scale in nature, of such excellence as will never be found, such as Bradley and Bonnet wish for. The gradation can be expressed no less well, indeed very much better, as various affinities in polyhedric figures, [with] genera of organic bodies distributed close by in numerous small spaces by turns. As Donati has already judiciously observed, the works of Nature are not connected in series in a Scale, but cohere in a Net. On the other hand, the whole system of organic bodies may be well represented by the likeness of a tree that immediately from the root divides both the simplest plants and animals, [but they remain] variously contiguous as they advance up the trunk, Animals and Vegetables; those leading, from Mollusca advancing to Pisces, with great lateral branches of Insects sent out among themselves, from here to Amphibia; and at the extreme top of the tree the Quadrupeds are supported, Aves truly thrust out as an equally great lateral branch below the Quadrupeds. At the same time this image shows the animals to be neither continuous nor neighboring, but standing like a lone tree. Its trunk is the series of the more principal neighboring genera closely appressed; everywhere genera are thrust out like twigs, yet [the principal genera] are never connected to each other by lateral relationships." [, pp.23-24]
His key points are that (1) animals and vegetables separate from each other immediately at the base of the trunk and proceed upward on their own, forming a dichotomous trunk; (2) the animal and vegetable trunks nonetheless remain contiguous at various points; (3) the animal (and separately, the plant) trunk is formed from series of principal neighboring genera pressed closely against each other; (4) genera are thrust out everywhere "like twigs"; and (5) no lateral relationships connect the principal genera (in the plant trunk or in the animal trunk).
Although a prolific author, Carl Edward von Eichwald is little-known today outside Russian-language histories of science (e.g. [52, 53]) in which his name is given as Eduard Ivanovich Eichwald. In his 1821 De regni animalis limitibus , Eichwald states that animalcula (protozoa) "have the rudiments of animal organization, from whence the series of more-perfect animals evolve in ever-elaborating grades and multifarous ramifications". He says repeatedly that animals and plants proceed from a common primordium (for him an organisational concept, not an early point in time), with the simple animals and simple plants proximate in this primordium. Eichwald developed this idea further in Zoologia specialis , proposing that the six primary animal types (Spondylozoa; Podozoa, Taxozoa and Heterozoa; Therozoa; Grammozoa; Cyclozoa; and Phytozoa) had originated in the primaeval shallow ocean; the first type arose from abundant "globules of primitive mucous", followed by the others in temporal succession, each a branch off from, and elevated in relation to, the previous type [, p.41]. Zoologia specialis is less overtly nature-philosophical than Eichwald's earlier De regni animalis limitibus and clearly presents a branching, transformationist view of the origin of biodiversity. According to Mikulinskii, however, Eichwald was "not particularly a Darwinian in his later writings".
Even earlier in 1801, Augustin Augier  represented plants on a multifurcating Arbre botanique, and considered this representation to apply equally to animals and minerals:
"The order that I established among plants is found equally in the three kingdoms of nature, and that seems to me a favorable precedent for it to be regarded as natural. The three kingdoms form three major series which begin with the least perfect beings and end with the most perfect. Under the similarity of their organizations, they are themselves made up of several series or smaller families which are united by beings which, although appearing to take the nature of two or several families, properly belong neither to one nor the other, and by this form transitions; this makes it difficult to find striking characters. Zoophytes unite the three kingdoms; mammals are united to fish by the whales, and birds to quadrupeds by bats, etc." (Augier [, p.vii] as translated by Stevens [, p.206])
Trees returned a couple of decades later as a depiction of the arrangement of nature (see below), but first we need to introduce the most important alternative: networks.
Remarkably, the network metaphor is older than that of a branching tree. In his 1750 Della storia naturale marina dell'Adriatico , Vitaliano Donati sought to describe the arrangement of aquatic organisms. He argued that regularities in nature allowed one to extrapolate from, or apply analogies based on, the terrestrial (hence more easily observable) Chain to understand the natural history of organisms in the sea, where it may be that transitions from the plant to the animal are most often encountered. But the result was not a single Chain encompassing all life, both terrestrial and aquatic:
When I observe the productions of Nature, I do not see one single and simple progression, or chain of beings, but rather I find a great number of uniform, perpetual and constant progressions. [, p.xx]
Moreover, these numerous progressions are interconnected:
In each one of those orders, or Classes, nature forms its series and presents its almost imperceptible passages from link to link in its chains. In addition, the links of the chain are joined [uniti] in such a way within the links of another chain, that the natural progressions should have to be compared more to a net [rete] than to a chain, that net being, so to speak, woven with various threads which show, between them, changing communications, connections, and unions. [, p.xxi]
Where in the second sentence above I translate uniti as joined, the 1758 French translation  renders it as entrelacés, interlaced or intertwined.
Giuseppe Olivi [, I p.68] likewise found the network an appealing metaphor for aquatic nature. Quoting Leibnitz to similar effect, Gottfried Treviranus wrote of nature as being made of "thousands and many thousands of chains, with endless skill entwined down to the smallest knot" [, I pp.473-475]. As this quotation is from the first book to use the word biology in a modern sense (Biologie, oder Philosophie der lebenden Natur), it can be said that nature-as-network was present at the dawn of modern biology.
Treviranus argued [, I p.474) that whereas a chain allows one to describe only a single facet of organisation, with a network the complete organisation can be taken into account. He did not specify which organisational features might comprise the network of organisms, but the immediately previous section of his treatise discussed gradations in e.g. musculature, circulatory and nervous systems, and the brain. Nor did Treviranus propose that one organisational feature (say, musculature) could be associated with the x-axis of a network diagram, and a second feature (say, nervous-system organisation) with its y-axis; he meant instead that gradations in multiple - indeed all - features could be represented at fine scale, as adjacencies within local neighborhoods of the network. Nor, to my knowledge, did any network (or Linnaean map) proposed in these decades depict affinity on one axis, and analogy on the other.
Georges Cuvier later used the network analogy to emphasize the connectedness of all beings:
...our systematic methods consider only the nearest affinities; they seek to place a being only between two others, and they are unceasingly at fault; the true method sees each being in the midst of all others; it shows all the radiations by which it is connected more or less closely within this immense network which constitutes organised nature [, I p.569]
O'Hara [, p.256] characterizes the years 1840-1859 as a "mapmaking" period, in which Strickland and Wallace sought to banish analogy and symmetry (hence quinarian circles and other geometric representations) from systematics. During these two decades at least four investigators published tree diagrams, two depicting stratigraphic series of fossils. From 1840 through at least 1856, in some thirty editions of his popular textbook Elementary Geology, Edward Hitchcock  presented a branching diagram representing series of plant and animal fossils in successive strata. These diagrams had been removed by the 1860 edition . Archibald  notes that Hitchcock did not accept the transmutation of species, arguing against Lamarck, Chambers (Vestiges) and later Darwin. Louis Agassiz presented a similar tree-like depiction of fossil fish in the first volume of his Recherches sur les poissons fossiles [, pp.170-171]; like Hitchcock, Agassiz did not accept a transmutation of species.
In 1837, in his Notebook B [, B§21], Darwin famously wrote
organised beings represent a tree. Irregularly branched some branches far more branched. - Hence Genera. - «as many terminal buds dying, as new ones generated»
The affinities of all the beings of the same class have sometimes been represented by a great tree. I believe this simile largely speaks the truth. The green and budding twigs may represent existing species; and those produced during each former year may represent the long succession of extinct species. At each period of growth all the growing twigs have tried to branch out on all sides, and to overtop and kill the surrounding twigs and branches, in the same manner as species and groups of species have tried to overmaster other species in the great battle for life. The limbs divided into great branches, and these into lesser and lesser branches, were themselves once, when the tree was small, budding twigs; and this connexion of the former and present buds by ramifying branches may well represent the classification of all extinct and living species in groups subordinate to groups. Of the many twigs which flourished when the tree was a mere bush, only two or three, now grown into great branches, yet survive and bear all the other branches; so with the species which lived during long-past geological periods, very few now have living and modified descendants. ... As buds give rise by growth to fresh buds, and these, if vigorous, branch out and overtop on all sides many a feebler branch, so by generation I believe it has been with the great Tree of Life, which fills with its dead and broken branches the crust of the earth, and covers the surface with its ever branching and beautiful ramifications [104, 129, 130].
Darwin's theory of evolution shared points of similarity with certain of the systems described in previous sections of this paper, but was unique in their combination. Like Lamarck and Wallace, he accepted the transmutation of species. Unlike Bonnet, Lamarck, Eichwald, Bronn and Haeckel, he rejected as a "miserable limited view" [, B§216] the ongoing creation or appearance of new species, instead emphasising the continuity of genealogical lineages from one or a small number of original forms. Darwin did not base his tree on affinity, although successive generations "tend to inherit those advantages which made their common parent (A) more numerous than most of the other inhabitants of the same country" [, p.118] (in this way, as Darwin put it, affinity will "grow" [, C§151]). His tree is instead one of genealogical inheritance. He placed extant taxa at the tips of his tree, not at the internal nodes or along the branches. Darwin described the struggle for existence in a Malthusian context, and importantly emphasised the central role of natural selection - his "dangerous idea" [, p.21] - without recourse to a metaphysical formative force toward perfection or realisation of potential per Bonnet, Lamarck, Eichwald and others.
Although it lies outside the scope of this article to review in detail the uptake of Darwin's theories and adoption of the evolutionary tree as an explanation of modern biodiversity, I offer three case studies to illustrate that this uptake and adoption progressed at different rates and to varying extents, if at all, across different fields of biology. Network diagrams  and geographical maps persisted in some research communities; and today, as we shall see, network representations are again resurgent in microbial phylogenetics .
Vertebrates: trees in the ascendancy
Haeckel's visually striking and highly detailed trees of vertebrates (e.g. [106, 107]) were widely discussed, not least because they ventured to show the genealogical history of man. By the later Nineteenth century it was reasonably commonplace for monographs on vertebrate zoology to include a branching tree of taxa. Debate persisted on important concepts: Garrod , for instance, argued that these trees must be interpreted as showing relationships among characters, not necessarily among taxa. Sharpe  depicted Reichenow's Stammbaum of class Aves as small boughs emerging at multiple points from four thick, poorly differentiated basal "stems". In the same work he also  represented a gracile, three-dimensional tree of birds as views from the front, back, side and top, adding planar sections at three different levels that linked the underlying cladogenic process to map-representations. Some of these figures have been reproduced and discussed by O'Hara [44, 113]. Longitudinal sections were explored in more detail in the early Twentieth century, for example to illustrate polyphyly and convergence . Other dynamics continued to play out, e.g. between topology-centric interpretation emphasizing speciation (cladogenesis) and anagenic change along branches (phylogenesis in sensu Haeckel). Trees were sometimes annotated to show character distributions, geographical spread, or quality of evidence . Nonetheless the genealogical tree soon became established in vertebrate zoology, as indeed in many other biological domains.
Algae: morphoclines and networks
Unlike vertebrates, algae are not a monophyletic group. Linnaeus  followed earlier authors in collecting various macroscopic "least-perfect plants" into form-genera, the number of which was revised upward or downward as his system was refined . With the dissolution of the Great Chain, these form-genera were dissolved, and the new groupings that replaced them were augmented with monads (unicellular forms), a term that "thanks to Leibniz  and the Naturphilosophes, bore strong connotations of primitivity and potential" . Some of these new taxa began to be viewed as "the lowest step of the plant kingdom", i.e. as archetypes for the land plants [, p.1]. And plants they were agreed to be: Haeckel [106, 118] excluded brown and red algae, and macroscopic green algae, from his new kingdom Protista. Lamouroux  had introduced colour of spores and thalli as the key taxonomic feature, therewith recognizing Fucacées, Floridées and Ulvacées; this approach had practical value (e.g. identification in the field) and immediately suggested how unicells should be classified: yellow-brown unicells with Fucacées, red with Floridées, and green with Ulvacées.
Prokaryotes: disorder in nature
Microbiology developed largely after 1859 based on the work of Cohn, Pasteur, Koch and others. Few if any pre-1859 concepts were especially useful for systematizing organisms that could scarcely be seen under the microscope and presented few morphological characters. Further physiological characters were eventually identified, but they did not correlate in any simple or necessary way with what could be seen of bacterial morphology, and "every one of these characters is liable to variation" [, p.6]. By the mid-1920s it had become clear that at least some morphological and physiological characters of bacteria were rapidly and permanently transmutable under laboratory conditions [128–131]. The problem space was sharpened by excluding viruses, as non-living entities (but cf. ), from the microbiological system; but early expectations that a phylogenetic classification would emerge for bacteria  were unrewarded, and by the mid-Twentieth century there was considerable pessimism that a natural evolutionary classification of bacteria was even possible [134–139].
DNA was by this time known to be the genetic material, and DNA-DNA hybridisation experiments revealed, if crudely, a hierarchical structure of genetic similarity among bacteria [140–142]. More interestingly, given the structure of DNA, the nature of the genetic code and details of transcription and translation, protein sequences were "documents of evolutionary history" ; statistical approaches were developed to infer this history from sets of homologous sequences, and believable trees of relationships could often be inferred for eukaryotes, especially animals [144–149]. By contrast, however, the initial applications to prokaryotes were often less than successful due to restricted or sporadic distribution of genes, uncertain orthology, and/or lack of phylogenetic signal [150–153].
Darwin's trees played an integral role in his theory, linking process (genealogical descent-with-modification, plus extinction) with outcome (the diversity of past and present-day species, expressed as hierarchical systems of classification). Trees also provided a common, coherent, and (although this would be discovered only later) mathematically and statistically tractable framework linking much outside his argument per se, from comparative anatomy and development to palaeontology and biogeography, to evolutionary theory, with the result that now "nothing makes sense in biology except in the light of evolution, sub specie evolutionis" [, p.449]. Darwin's trees are justly considered a landmark not only of biology and of science more broadly, but of modern intellectual and visual culture as well [100, 177].
In this article I have attempted to situate Darwin's trees in historical context, specifically the search for the natural system following the abandonment of the Great Chain of Being. His trees existed, and exist, in other contexts (e.g. sociological, political, religious) which I do not consider here. Darwin was not the first to propose that the system of nature is tree-like, nor that species undergo transmutation along hierarchically branching temporal trajectories. In the decades following 1859, genealogical trees won acceptance in some but certainly not all areas of biology; nor indeed have trees won full acceptance even today, although they remain default hypotheses for most biologists, as indeed more broadly in science and in society. But nature-as-network preceded the branching tree, was never completely supplanted by trees, and seems set to re-emerge as the most-inclusive metaphor for the living world - the "Network of Life" .
As we commemorate Darwin's birth and the Origin of Species, we also look forward to the 375th anniversary, next year, of Historia naturae, maxime peregrinae and Nieremberg's hint at an unbroken web of nature.
Reviewer's report 1
Dr Eric Bapteste, Dalhousie University, Halifax, Nova Scotia, Canada
This article offers a broad overview of the use of trees and networks in biology. The figures compiled by the authors are fascinating, and the demonstration that the network is not an odd concept for classifiers (and for evolutionists) is of significant importance. I encourage all curious biologists to read this piece.
1. What about the (endo)symbiotic theories and their support for networks after Darwin? Although their impact became significant sometimes only with delay, they are very briefly mentioned here. They have however certainly contributed to the debate around the tree-like vs web-like nature of evolution/classification (and for some of them, they have produced historically important drawings, such as Mereschkowsky's anastomosing scheme (and its multiple roots), or even such as Dagan and Martin webs of genomes, which recently made the cover of Philosophical Transactions of the Royal Society of London B: Biological Sciences. Thus would not it be worth, for instance, to discuss the contribution of Sagan/Margulis to the issue of network after Darwin a bit more? On p.2, the author suggests that "networks were reintroduced in the mid-1990", could not it be argued that with Margulis' piece and the subsequent studies promoted by her hypothesis, networks were reintroduced before? Finally, any contemporary web of genomes might be too recent to deserve a room in this historical paper, but I wonder whether including Dagan's web of genomes as a final picture of a biological network would not be appropriate.
I am delighted to acknowledge the important work by Lynn Sagan (now Margulis) [178, 179] which catalysed my own interest in the endosymbiotic theory of eukaryotic origins. Her argument encompassed the origin of eukaryotic cells by serial endosymbioses, the stepwise origin of mitosis, the non-existence of certain hypothetical intermediates, implications for high-level classification, and correlations with geochemical conditions on Earth - but was never, to my knowledge, explicitly abstracted as a story of network versus tree. Instead she mapped eukaryotic diversity as a unitary tree of mitosing cells, into which endosymbionts arrived at defined points on certain branches. I am likewise pleased to call attention to the visually compelling network diagrams by Dagan and Martin recently featured on the cover of Philosophical Transactions of the Royal Society of London B: Biological Sciences (volume 364 number 1527, 12 August 2009). Addressing the Reviewer's point more broadly, I have now added a ribosomal RNA-based "three kingdoms tree" (Figure 27) and three network diagrams (Figures 28, 29, 30) including one from Dagan and Martin (Figure 30).
I am a bit puzzled by the description of Aristotle's works only as supporting a great chain of beings to classify every taxon. I think this is too partial a view of his deep - and influential - philosophical analyses. In my understanding (and I believe consistently with what is found in the philosophy textbooks), Aristotle is known for having produced multiple classifications of beings, based on different characters. In short, Aristotle proposed multiple independent trees of beings, at a very high taxonomic level. Yet, he did not build them in an inductive way. It may be worth considering this latter point a bit more. That Aristotle was somehow a taxonomical pluralist (aka an author attracted by the reconstruction of multiple "nascent" trees) shows that (i) the question of adopting one vs many classifications, and (ii) the question whether these classifications were natural versus conventional/arbitrary systems, are also part of an ancient debate in biology, directly connected with the use of trees and networks in biology. I am thus curious to know, for each of the historical drawings presented in that manuscript, whether these schemes were considered by their authors as the natural picture of diversity, or mostly as some practical/"arbitrary" representations (of which they may even have proposed simultaneously many).
Aristotle's Great Chain is not a classification: indeed in De partibus animalium (643b10-644a11) he argues that it is impossible to construct a single, logically consistent classification of organisms by dichotomous division, and that no series of differentiae can express the essence of an animal species. Some commentators have argued that there coexist in Aristotle both technical and non-technical senses of his terms genos, eidos, and diafora (genus, species, differentia) [; , p.53]. Aristotle did present logical hierarchies for different overlapping sets of animals based on their sensitivity, attachment, motility, ovipary or other characters, and I agree that one might ask whether this makes Aristotle the first taxonomic pluralist. Of course none of this prevented various Sixteenth to Eighteenth-century authors from presenting unitary "Aristotelian" classifications of animals.
The question of whether these 30 figures, and indeed hundreds of others, depict their authors' view of the natural system, or instead were intended to serve only a limited utilitarian purpose, must remain beyond the scope of this paper. Herbals and bestiaries were utilitarian, as in general were keys such as the one from Zaluziansky (Figure 3); and Lamarck is said to have considered his early scale of plants  as "unscientific".
The author indicates that Lamarck's trees are a temporal progression. This is not entirely accurate: they are rather the path of the evolutionary progress that is repeatedly explored by life, at all times, since Lamarck believed in spontaneous generation. His trees are certainly polarized in time in the sense that the highest form in the trees has to appear before the lowest ones, as the evolution progresses. However each form in the tree is also an evolutionary/developmental stage at which some creatures stay (when they do not keep evolving). The chronology is thus messed up in these drawings. For instance, there are both recent and ancient polyps, some of which are then more recent than some of the Ascidians, although the Ascidians as a form are "lower" than the polyps on the tree.
In the paragraph in question, I introduce Lamarck's evolutionary theory by stating that "Lamarck made evolutionary change, including the ongoing spontaneous creation of primitive forms and the upward transformation of existing life, the centrepiece of his evolutionary theory." His trees are based on temporal progression, but not of a kind familiar to us post-Darwinians. I have now re-worded this sentence to read: "The titles of these trees reveal their evolutionary intent...".
The section "Trees before Darwin" should be entitled "Biological trees before Darwin", because it does not comment, for instance, on Porphyry's most important trees in philosophy. Likewise, in the conclusion, the author should recall that the trees he introduced are presented in the historical context of biology. Otherwise, he would have had to comment on the most interesting fact that, at the very same date than Darwin published his famous tree, outside the field of biology, in linguistics and philology, a most famous tree of languages was also published by August Schleicher.
Medieval illustrated manuscripts depict various dichotomies and arbores representing concepts e.g. from logic (notably the "tree of Porphyry" based on his Isagoge, itself a commentary on Aristotle's Categoriae and De Interpretatione), genealogy (a famous one is attributed to Isidore of Seville, ca 560 - 636 AD) and mysticism (the Sephirotic tree, actually a network) [182, 183]. The Reviewer rightly reminds us too of Schleicher's Stammbaumtheorie, depicted as a tree in publications beginning in 1853 [for a reproduction see , p.46]. August Schleicher, a professor at Jena, read Darwin's Origin on his colleague Ernst Haeckel's advice, and subsequently wrote articles presenting the origin and development of languages as a validation of Darwin's theory.
What does "emanationist" mean? Could the author describe this notion a bit more? Also, what does "osculant" mean?
Emanationist describes unitary philosophical or cosmological systems according to which all that exists (the universe and everything within it) has arisen through a process of flowing-out from, and willed by, a deity or First Principle. This flowing-out necessarily gives rise to a hierarchy or continuum of entities of which those closest to the First Principle are the most-perfect, while those farther away are increasingly material, embodied and imperfect. These systems are to be contrasted with those positing a (perfect) creator who stands outside his (less-perfect) creation.
In the quinarian system, an osculant taxon is one positioned at the tangent between two large groups (circles of five taxa), sharing some characteristics with each. Ancipiti natura hoc genus est, ambigens.
Reviewer's report 2
Patrick Forterre, Université Paris Sud and Institut Pasteur, Paris, France
The history of the metaphors used by biologists to depict relationships between organisms is a fascinating story that Mark Ragan presents in this paper in a lively and exhaustive way. I discovered in reading his paper that the metaphor of networks, so fashionable right now among evolutionists fascinated by lateral gene transfers, indeed predated the tree metaphor in pre-Darwinian times. Unfortunately, there is a great confusion in the use of the network metaphor right now. The hereditary history of living organisms can be depicted with a tree-like structure as long as new organisms originate by cell division. This seems to be the rule for most living organisms, since examples of fusion that prevent us from identifying the continuity of cellular lineages are rare. For instance plants are clearly a eukaryotic lineage that can be inserted into a eukaryotic tree, and not a peculiar lineage of cyanobacteria. Similarly, mammals are clearly a branch in the tree of animals, and not a peculiar form of retrovirus despite the fact that retroviruses and derived element comprise up to 80% of their genomes. It was one of the great successes of science in the XIX century to realize that organisms are related to each other via a tree and not a network. This was achieved thanks to progress in evolutionary theory and it's not a coincidence that the only illustration of the origin of species is precisely such a tree. The merit of the historical approach as depicted in Ragan's paper is to remind us that this tree did not come from nowhere but had to fight its way out of various pre-scientific networks. These networks were designed to take into account various observations that were not understood at the time, such as the existence of homologous characters in organisms from diverse lineages. We know now that these homologies are produced by common descent, by gene transfer between lineages, or by convergence, different processes that were combined in misleading ways in these old networks. Networks are again fashionable because organisms are now frequently confused with their genes and/or genomes (see a recent excellent review by Gribaldo and Brochier-Armant  on this issue). Genomes as integrated entities and genes taken independently evolve in a tree-like fashion (DNA replication produces tree-like heredity) but genomes are composed of genes whose history can vary from one gene to the other. A network is indeed a good metaphor to describe the movement of genes between genomes across the tree of organisms. This is especially true for genes originally encoded by viruses and their derivatives, plasmids, transposons and integrons. In that case, entire genomes from different organisms (virus-virus, virus-plasmids or plasmid-plasmid) can recombine to produce new lineages, which can be assimilated to a fusion. The evolutionary process is therefore a combination of tree-like processes (the evolution of cellular lineages from LUCA until now, the evolution of genes in general, the evolution of viral/plasmids lineages during much part of their history) and of network-like processes (the movement of genes between lineages, the formation of new plasmid/virus lineage by recombination). From this account by Mark Ragan, it seems that this dual nature of the evolutionary process has never been taken into account in the history of biology and that the tree and network metaphors were always considered to be in opposition. This may derive from the difficulty for most scientists of adopting a dialectic view of nature (evolution is both trees and networks) and their propensity to adopt a mechanistic approach (either/or) that favours opposition (between metaphors and, as a consequence, between scientists, who favour different metaphors!). Both historical and philosophical approaches may be required now to get rid of these false oppositions.
I thank the Reviewer for these insightful comments.
Reviewer's report 3
Dan Graur, University of Houston, Houston, Texas, United States
This Reviewer provided no comments for publication. The author is grateful to the Reviewer and made a number of changes to the manuscript, particularly the final section, based on points he raised.
The author thanks W. Ford Doolittle and Carl Woese for inspiration and discussions over many years; Maureen O'Connor for inviting the talk (ISHPSSB-2009) from which this paper was developed; and Peter Godfrey-Smith for interesting discussions and literature. He acknowledges staff at the British Library, the Fisher Library and the Macleay Museum (University of Sydney), the John Crerar Library (University of Chicago), the Linnean Society of London (particularly Ms Gina Douglas), Natural History Museum (London), the National Library of Australia, NRC Canada Institute for Scientific and Technical Information, and Mr Tony Swann, for professional assistance over many years.
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